Showing posts with label Gothic Rock. Show all posts
Showing posts with label Gothic Rock. Show all posts

29.3.14

Delain - The Human Contradiction (2014)

Dutch front gothic metaller, Delain is on their fourth studio album called The Human Contradiction. As with their previous albums, such as the most recent We Are the Others, the new album sticks close to their existing style. Heavy guitar distortion layer, combined with savvy synthesizer beat effects. On top of that, singer Charlotte Wessels is still the dominating factor in listening Delain.

Charlotte Wessels starts the album with her solos intro in Here Come the Vultures. The song kind of sad and mysterious in mood, something like bring us back to the '60s thriller movie soundtrack. On the second song is their heaviest track featuring Marco Hietala. Your Body Is A Battleground, is catchy song with full orchestra and choruses supports. It got a nice grrove as well. Guitar solos are there, but instead of giving speed light shredding, the solos play a long sustain notes with melody line integrated into the song. On classic piano ballad in gothic metal mood is Tell Me, Mechanist, featuring George Oosthoek. Sing To Me, is also another interesting song, dynamic singing line, symphonic metal, low string power chord and Marco Hietala harsh voices. They did not forget to also play a synthesizer dance beat elements, as found in Army of Dolls. For a total string and piano number is on the ballad Scarlet. Alissa White-Gluz from Agonist contributed her death metal voices in song of The Tragedy of the Commons.

The Human Contradiction also comes with another full disc of bonuses, a Live versions and orchestra version of their previous songs. On the album, the Human Contradiction is yet another wonderful stuffs of gothic metal / rock. It is the time now where Delain should stand equal to Within Temptation and Epica, all from the motherland of Netherland. In fact, where as those two bands are now heading for a new ventures, Delain is still in their original path where they just beginning to peak in quality. Charlotte Wessels has a great balance voices, wide range and flexibility. Beside the two opening cuts, Here Come the Vultures and Your Body Is A Battleground, I recommend Sing To Me and The Tragedy of the Commons as most favorite tracks of the album.

Metal Harem class: ******** eight stars out of ten

Delain - The Human Contradiction (2014) 
Buy it Here - Amazon

01. Here Come the Vultures
02. Your Body Is a Battleground (featuring Marco Hietala)
03. Stardust
04. My Masquerade
05. Tell Me, Mechanist (featuring George Oosthoek)
06. Sing To Me (featuring Marco Hietala)
07. Army of Dolls
08. Lullaby
09. The Tragedy of the Commons (featuring Alissa White-Gluz)
10. Scarlet
11. Don't Let Go
12. My Masquerade (Live)
13. April Rain (Live)
14. Go Away (Live)
15. Sever (Live)
16. Stay Forever (Live)
17. Sing To Me (Orchestra version)
18. Your Body Is A Battleground (Orchestra version)

Charlotte Wessels (vocals)
Martijn Westerholt (keys)
Otto Schimmelpenninck van der Oije (bass)
Sander Zoer (drums)
Timo Somers (guitar)


27.3.14

Anette Olzon - Shine (2014)

So what happen to dearest Anette Olzon? After her Nightwish storytime, the world seem cruelty abandoned her fame. It is only few months ago she announced a new solo album and being released this week. Shine is understandable an album with completely different tones and style, in comparition to Nightwish. As we can put the same to Tarja as well, this album is trying to reach wider audiences, but still depended her luck on her Nightwish-fan base. Shine is by far a pop-rock in majority. The producer is Stefan Örn of Eurovision, so you got the idea.

Nevertheless, as symphonic metal singer alumni, she reserved a spot in our community. Most of the songs are simple and short. Like A Show as the opener, a mellow pop rock with sweet strings and synth beats. Honestly speaking this album did not mean as a metal revenge to Nightwish. Instead Anette jump into the style that looks like fit her singing. The main title, Shine, is still without a sounds of guitar distortion. This is much thicker Euro dance track. The song is nice and easy to listen. The song that represent slightly similarity to gothic rock can be found in Lies. In this song, Anette explored lower voices so that the album have wider dynamic range. All the rest are simple song with only one or two main melody. One Million Piece is a nice piano ballad in the near end.

This is for sure a light and playful album. I don't think this is much a serious project with only 35 minutes in running. The things that rather interesting is, where is Anette heading for? Just observed Tarja, she is firmly putting foot into operatic-pop-rock genre, which is very strong and Tarja still the big sister in the circle. Anette should be no problem tackling the softer, pop-rock genre, with her known popularity. But this is a huge maneuver and I still believe some of Nightwish fans eager to listen heavier stuff from Anette. Either way, Shine is a first sign that she wanted to still existed. The room is still wider open for Anette to explored.

Metal Harem class: ******** seven stars out of ten

Anette Olzon - Shine (2014)
Buy it Here - Amazon

1. Like A Show
2. Shine
3. Floating
4. Lies
5. Invincible
6. Hear Me
7. Falling
8. Moving Away
9. One Million Faces
10. Watching Me From Afar


Producer - Stefan Örn (2011 Eurovision Song Contest winning track ‘Running Scared’),
Co Producer - Johan Glössner, Anette Olzon
Mixed by Kronlund, Nicklas Flykt and Ronny Lahti



21.12.11

Evanescence - Evanescence 2011

Evanescence released their third album in October 2011, self titled (or mirrored ..) "Evanescene".The album supported by rejoining guitarist Troy Maclawhorn. This album went quite complicated producing phase, went from producer Steve Lillywhite  and then producer for the second session, Nick Raskulinecz. So expectly, this album is higher.

I am not really listen a lot to Evanescence, they are "half metal" to me, (the other half, pop). But being a very commercial successful metal-format female band, Evanescence is a must hear. If only the music included a guitar solo, more double beat drum (instead of nu-metal like drumming) and thicker orchestration, Evanescence will probably easiest to enter the symphonic - gothic - metal realm. Especially with singer as charismatic Amy Lee (one of my favorite). But Evanescence play more in commercial friendly area, and they were very good on that.

Having said that, this album also great in tune. Mean, only by two or third listening, all songs will be familiar and enjoyable. The first track and their single, What You Want, is a great opener. Typical Eva sound and great stadium beat feel. More heavier on second track, Made of Stone, the vocal line are great and gothic. A bit setback is, after this point the rest of song quite sounds in the same beat. Until Erase This break in. And for the Deluxe Edition, additional songs added. But except End of the Dream, Never Go Back and Dissapear, you will need to reserve your ear to about ten of mellow songs with Amy Lee vocal as highlight of enjoyment.

So it is the third Evanescence album you can enjoy and you'll get a wide variation of Amy Lee singing. Overall a mellow pop ballad with layered distortion but few are very catchy songs as well.



Evanescence - (2011) - buy from Amazon
1. What You Want
2. Made of Stone
3. The Change
4. My Heart Is Broken
5. The Other Side
6. Erase This
7. Lost in Paradise
8. Sick
9. End of the Dream
10. Oceans
11. Never Go Back 
12. Swimming Home

Deluxe edition bonus tracks
13.New Way to Bleed
14. Say You Will
15. Disappear
16. Secret Door



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